Distinctive Visuals in Run Lola Run Essay - 1190 Words

A composer can create images dependant on the form of the language of texts to shape a responders understanding of the ideas and themes prompted by people and their experiences. The German film, ‘Run Lola Run’ written and directed by Tom Tykwer, focuses on the experiences of the protagonist Lola to explore the themes of the inevitable force of time, and the issue of freewill verses determinism. Similarly, Dorothea Mackellar, in her poem ‘My Country’, relies on her experiences of the Australian landscape to convey her love and passion for the country using the language of the distinctive visual. The distinctively visual techniques employed by Tykwer in Run Lola Run, function to raise the importance of time, its inevitability, and†¦show more content†¦Split screen techniques divide the screen into three equal proportions creating a simultaneous depiction of Lola, Manni and the clock, allowing Tykwer to show the struggle to beat time. Adding to the dramatic urgency and reinforcing the power of time is the virtual real time of the film, meaning the twenty minutes of Lola’s life are shown in virtually twenty minutes of screen time. Hence, the distinctively visual provides an insightful image into Lola’s experiences placed under seize by the adamant nature of time. Interestingly, visual techniques are also effective in portraying the theme of free will versus determinism to question the responder who and what controls our lives. The tripartite storytelling structure incorporating three wholly, self-contained alternate versions of events is an unconventional filming technique reinforcing the postmodernist perception of having minimal control over life. As Lola rushes past minor characters in the film, flash forwards offer alternate glimpses of the possible outcome of their future, suggesting that fee-will alone is not a sole determination of the outcome of life. In each run, Lola’s encounter with these minor characters varies, showing that even the slightest change can become a significant impact to life. An extreme close-upShow MoreRelatedRun Lola Run and Related Texts.1339 Words   |  6 Pagesquestion distinctively visual images convey distinctive experiences, Evaluating the idea that visual images give us distinct experiences and how certain experiences can change our destiny. I will discuss this question using my chosen theme that is destiny, In Tom Tyker’s Run Lola Run and my related text Charlie Kaulfmans and Michael Gondrys Eternal sunshine of the spotless mind. Tom Tyker uses the theme of destiny to show how interaction between individuals can create a distinctive experience. Read MoreCompare the Ways the Distinctively Visual Is Created in Run Lola Run and in One Other Related Text of Your Own Choosing?941 Words   |  4 PagesCompare the ways the distinctively visual is created in Run Lola Run and in ONE other related text of your own choosing? Distinctively visual is one which the composer of the text uses visual, spoken and written language to position the reader to elicit their ideas. This is a powerful means to enhance the appeal of texts for viewers. Tom Tykwer’s film Run Lola Run includes Distinctively Visual scenes throughout the whole film using Symbolism. The exhilarating film takes the viewer through an intenselyRead MoreThe Studio System Essay14396 Words   |  58 Pagesdecades, the movie industry in the United States and the rest of the world operated by according to these principles. Cultural, social and economic changes ensured the demise of this system after the Second World War. A new way to run Hollywood was required. Beginning in 1962, Lew Wasserman of Universal Studios emerged as the key innovator in creating a second studio system. He realized that creating a global media conglomerate was more important than simply beingRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesthe impression of reality by giving objects dimension, but it also contributes directly to that impression in as much as it appears to be real. It is, in fact, a general law of psychology that movement is always perceived as real—unlike many other visual structures, such as volume, which is often very readily perceived as unreal (for example, in perspective drawings). Albert Michotte van den Berck examined the causal interpretations—the impression that something had been pushed, pulled, thrown, etc